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Welcome Ashley Suppa!

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G.H. HARDING

Photo@stephbcphoto

Female artists have always garnered a genuine respect and special place in music: Be it Joan Jett; Carly Simon; Alanis Morrisette; Madonna; Celine Dion; Britney Spears; Taylor Swift; Rina Sawayama; Bonnie Raitt; or Joni Mitchell; they’ve all musically defined their generations.  

Photo @stephbcphoto

In today’s swiftly changing menu of popular music, you can definitely add 19-year-old Ashley Suppa to that celebrated list. Writing her own material and meticulously creating it with producer Alex Salzman; her self-titled first EP Ashley Suppa (Ki-Jung Media) made a sizeable impression on the contemporary music scene when it was released late last year.

Says Ashley: “When I was six years old, thanks to my dad, I had an amazing opportunity to sing background vocals on Ace Frehley’s (KISS) Anomaly album. It ignited my love for singing that evolved into a passion for songwriting. I began studying guitar when I was 12 and found my love for the bass guitar at the School of Rock where I learned vocal techniques and refined my live performance skills working with other musicians at the school and also performing in local theater.”
Her dad, a guitarist and music aficionado turned Ashley onto a variety of music and artists that further stirred her creativity.
Continues the New York native, “At 15 I started writing and recording my own songs on a laptop creating demos – one that made its way to the Grammy® nominated producer Alex Salzman who collaborated with me on my debut release.”
The subsequent 8-track self-titled EP generated an immediate awareness and appreciation of her music; and the first singles “Trouble,” “King,” and “Move!”
Vents Magazine said of “Trouble”: “With the first quarter of the track feeling like a crash course focused on Suppa’s vocal harmonies and overall vocal performance it then pivots into a chorus showcasing her immense talent for crafting catchy melodies, there’s a defiant and unpredictable narrative at work with ‘Trouble’.”
Ashley’s songs lyrically take a deep dive in to the machinations of dealing in a world of technology and social media.
Earmilk said of the song “King”: “Taken from her debut EP, ‘King,’ with its foreboding message of personal disconnect is no exception as it roots us in place with the pull of its polished arrangement and her poignant songwriting. Showcasing wisdom beyond her years, Suppa is already proving to be an act worth watching, as she quickly makes an ascent into stardom.”
Suppa said of the song: “I wrote it about surviving in the digital age. I was lost in the distractions I had created within technology, and it was time to face everything that I had been feeling. With social media, we are at a point where we can choose how others perceive us. Online, we can show the world the best parts of ourselves when in reality; our struggles are what is prominent.”
Suppa’s also paired up with the all-girl band Plush. As a founding bassist of the ensemble, she’s been on tours with the likes of Slash; Evanescence, Halestorm and Mammoth, and is about to embark on a later this month with Alice In Chains and Bush.
Says Salzman, “Having worked closely with Ashley for the past three years, I have witnessed her blossom from a shy teen making bedroom pop demos into a bonafide legitimate singer, songwriter and performer with melodic and lyrical maturities beyond her years. Her natural talent, authenticity, intelligence, humbleness and empathy relates to fans of all ages and will undoubtedly propel her to achieve great successes.”
Fashion is another area where Suppa chooses to express herself. “I love shopping the vintage stores and watching the current fashion trends. I equate it to songwriting, both being ultimate forms of self-expression.”
“My songwriting influences have come from so many great artists like David Bowie, Lady Gaga, The 1975, Tyler the Creator, Dua Lipa and Bruno Mars. I write songs that reflect my personal experiences, feelings and perspectives on life hoping that they empower people of any age to think deeper about their relationships and interactions with the world around us.”

G. H. Harding is a four decades insider to the entertainment world. He’s worked for record companies; movie companies; video-production He’s worked for record companies; movie companies; video-production companies and several cable outlets. His anonymity is essential in bringing an unbiased view to his writings on pop culture. He is based in NYC.

Entertainment

Rockers On Broadway: 33 Years of Making a Difference Through Music, Honoring Living Colour’s Corey Glover & Financial Leader Jeff Gerson

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G.H. Harding

The PATH FUND Inc. will present the 33rd annual Rockers On Broadway® at Sony Hall. Celebrating 33 years of uniting music and philanthropy, this milestone event features an all-genre concert experience in support of arts education. From high-octane rock classics to infectious pop and country hits, Broadway performers and music icons will come together to reinvent the songs that shaped our lives.

The evening will honor Corey Glover (Living Colour) with the Rock Legend Award and wealth management leader Jeff Gerson as the Ambassador of Rock, with all proceeds directly benefiting arts education programs.

Corey Glover will be presented with the Rock Legend Award. As the powerhouse lead vocalist of the Grammy Award–winning rock band Living Colour, Glover redefined modern rock with his raw, explosive vocals. Beyond his rock career, Glover has a rich background in musical theatre, notably touring as Judas Iscariot in Jesus Christ Superstar. His enduring influence, versatility, and iconic vocal power make him a standout recipient of this honor.

Financial services leader and philanthropist Jeff Gerson will be honored as this year’s Ambassador of Rock. A loyal supporter of The PATH Fund for over a decade, Gerson serves as Managing Director, Family Wealth Director, Senior Sports and Entertainment Director, and Senior Strategic Advisor for the GGM Wealth Management Group at Morgan Stanley. Raised by an actress and singer, Gerson has maintained a lifelong passion for music as a guitarist and vocalist. His commitment to music education includes serving 12 years on the Board of Trustees for the Bethel Woods Center for the Arts, funding the Nicole and Jeffrey Gerson Recording Studio for underserved students, and providing scholarships for young musicians.

The concert will feature heartfelt musical tributes celebrating the extraordinary legacies of Dolly Parton, Tim Curry, and Duncan Sheik. Special guests include three-time Tony nominee Terrence Mann (The Great Gatsby, Pippin, Beauty and the Beast, Les Misérables). Artist Lisa Lisa and Toni Menage (Lifetime Movie Can You Feel the Beat? The Lisa Lisa Story streaming on Netflix) In addition, Major League Baseball star Cole Tucker will take over the drum kit for a special guest performance.

Starring in this powerhouse lineup are Broadway favorites including two-time Tony winner Michael Cerveris (Fun Home, Assassins), Bradley Dean (Chess, Galileo), Brian Charles Johnson (Spring Awakening, American Idiot), Donnie Kehr (Jersey Boys, The Who’s Tommy, Billy Elliot), Pomme Koch (The Band’s Visit), Lauren ‘Lolo’ Pritchard (Spring Awakening), Ryann Redmond (Frozen, Bring It On, Once Upon A One More Time), and Bligh Voth (Jagged Little Pill, The Band’s Visit), alongside emerging talent from Rockers On The Rise. Together, they promise an electrifying lineup bridging Broadway and rock for an unforgettable cause.

Bridging art and civic engagement, Rockers On Broadway is also partnering with Rock The Vote to raise awareness and remind concertgoers to make their voices heard at the polls on Election Day.

Rockers On Broadway: 33 is presented with generous support from sponsors including The Schoch Foundation and Paramount Hotel (Generator). Tickets are on sale now.

“Thirty-three years in, ‘Rockers’ concerts continue to bridge genres, generations, and communities,” says Donnie Kehr, creator of Rockers On Broadway and co-founder of The PATH Fund. “From rock to pop to country, this year’s show is going to blow the roof off Sony Hall, all while funding essential arts programs for our youth.”

“Every year, the energy in the room reminds us why we do this,” adds Cori Gardner, co-founder and Executive Director of The PATH Fund, Inc. “Every ticket sold directly empowers young artists, giving them the tools and confidence to find their own artistic path.”

More Information & Tickets: www.thepathfund.com – www.rockersonbroadway.com

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Events

CV Classical Voices Brings Opera to Historic Palm Springs Plaza Theatre

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The Palm Springs Plaza Theatre came alive on August 23, 2026, when CV Classical Voices brought its unique combination of opera, Broadway, and choral music to this historic venue. The evening was filled with beautiful singing, theatrical flair, and the kind of energy that made it clear that this was a performance designed to “pull out all the stops.”

Out filed the two dozen CV Classical Voices singers in their evening gowns and tuxedos, with the razzle-dazzle of Bob Mackie, with just a bit of Elton John and Liberace thrown in for good measure. As they burst into their opening number, “It’s a Grand Night for Singing,” the company immediately raised the roof of the Plaza Theatre.

The Plaza Theatre has a very rich and storied past. It opened in 1936 with the world premiere of the film Camille, starring Greta Garbo. Whether Garbo herself attended the premiere is shrouded in mystery. My friend Foster Hirsch, a major film historian and an authority on Garbo, believes that Garbo was allowed to enter quietly in the dark as the film began, and she slipped out a side door in the dark at the end of the film.

In any case, the opening of the film and the Plaza Theatre was a huge event, with over 40 limousines from Hollywood dropping off stars to walk the red carpet. Attendees included Jimmy Stewart, Barbara Stanwyck, Lionel Barrymore, Ralph Bellamy, Shirley Temple, Buster Keaton, Frank Capra, and Robert Taylor, among many others.

Over the years, the Plaza Theatre had other major film premieres. The theatre also hosted a variety of live performances by a wide range of world-famous talent, including Sinatra’s Rat Pack and comedians such as Bob Hope, Jack Benny, and Edgar Bergen with Charlie McCarthy.

Perhaps the most famous show at the Plaza was the Fabulous Palm Springs Follies, a vaudeville-style variety show created by Riff Markowitz. The Follies ran for more than 20 years, with major headliners including Donald O’Connor, Carol Lawrence, Phil Ford, Mimi Hines, John Davidson, Kaye Ballard, and many others.

Opera at the Plaza was perhaps considered a bit too highbrow. Doug Nagel, an opera singer and longtime educator who moved to Palm Springs some years ago after his teaching career, decided to change that.

Doug Nagel is a gentle giant of a man who clearly has an infectious love of singing. In founding CV Classical Voices, Doug assembled a marvelous range of singers from four generations who all shared a love of choral music. While Doug was most familiar with opera music, he decided that including great music from the best of Broadway would also work well.

The program at the Plaza included songs by Mozart, Strauss, Offenbach, and Verdi, but also Sondheim, Bernstein, and Sir Andrew Lloyd Webber.

Nagel has built a loyal following. Beginning with free concerts in senior centers, local schools, and churches, word quickly spread that the CV Classical Voices concerts were exceptional. The booking at the Plaza Theatre definitely raised the bar.

To fill this 700-seat venue off-season in the middle of August, with triple-digit temperatures outside, was no easy task. It was therefore heartwarming on this scorching-hot day to have the theatre packed to the rafters. When Nagel asked at one point how many in the audience were attending the Plaza Theatre for the first time, more than one hundred hands were raised.

Jenne Carey and Ashlyn Brown singing a duet from “Lakme”

Audience reactions to the full choral numbers, as well as the solos, duets, and quartets, were equally enthusiastic. Nagel conducted the six musicians seated downstage left. The orchestra and conductor were cleverly lit in silhouette, making them appear like a magical, life-sized music box.

When Nagel left his conductor’s chair to sing, his voice, like rolling thunder, made the audience well aware of his professional opera background.

Handsome projections on the back scrim announced each musical number. The program was well put together, with a wide variety of serious dramatic music alternating with comedic, novelty, and patter songs.

A personal favorite song was “Little Tin Box” from the Pulitzer Prize-winning musical Fiorello!, a clever Bock and Harnick song about political corruption that could not be more timely. I had suggested the song to Doug Nagel, having sung it for the Theatre Guild years ago with Richard Kiley, Larry Kert, and Eli Wallach. The quartet that sang the song scored huge laughs and applause.

The program ended with the powerful choral number “Make Our Garden Grow” from the Broadway musical Candide. The audience not only gave a standing ovation but whistled, stomped, and cheered. Clearly, an encore was called for, and CV Classical Voices did not disappoint.

Standing in front of the stage, the full company sang “Va, Pensiero” from Verdi’s Nabucco. Once again, the singers “pulled out all the stops,” ending the program on a high note.

When the Plaza Theatre was being refurbished with over $34 million in donated funds, a promise was made to include in the programming not only national and international headliners but also to showcase the amazing local talent pool.

With bookings of local arts groups including Modern Men, the Palm Springs Gay Men’s Chorus, the Musical Theatre University, and CV Classical Voices, the Plaza has made good on this promise, and it has been a win-win for all of Greater Palm Springs.

I am certain that CV Classical Voices will be playing the Plaza Theatre again, and like everyone in their audience on August 23, 2026, I hope it is sooner rather than later.

Photos courtesy of Tara Howard Photography.

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Cabaret

Cabaret and Talks For October

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October is proving that New York’s cabaret and concert scene has no intention of quietly settling into fall. A brand-new room, The Pocket, is opening its doors, adding another intimate venue to the city’s ever-evolving nightlife landscape, while 54 Below celebrates one of musical theatre’s most distinctive contemporary voices, Jason Robert Brown. Uptown, the 92nd Street Y brings star power with Michael Douglas and Patti LuPone, while Carnegie Hall has assembled an October that practically reads like a love letter to musical theatre and film: A Celebration of Rodgers & Hart, the October 18 Falsettos 10th Anniversary Concert, and, on October 23, The New York Pops going gloriously cinematic with 007: James Bond Forever. From a new club finding its voice to Broadway royalty and one of the world’s grandest concert halls revisiting some of the music that helped define American entertainment, this is one of those months when staying home seems like an exceptionally bad idea.


54 Below:
254 West 54 St. 10/5: The New York Pops Underground with Deborah Cox; 10/6: Ali Ewoldt: When You Wish Upon a Star, feat. Jose Llana & more!; 10/7: Bells Are Ringing 70th Anniversary Concert; 10/19: BSC>NYC honoring Jason Robert Brown; 10/20 – 21 and 23 – 25: John Lloyd Young: Songs from the Road; 10/22: Jenn Colella;  and 10/27 – 31: Christine Ebersole with Billy Stritch

Jason Robert Brown

92 Street Y: 1395 Lexington Ave. 10/1: Patti LuPone: A Life in Notes; 10/1: Bill Ritter, David Hyde Pierce, Dr. Scott Small, and Allison Gilbert on Alzheimer’s, Caregiving, and the Power of Community; 10/6: Michael Douglas in Conversation: One Helluva Ride; 10/8: Shark Tank Stars and Showrunner in Conversation: Season 18 Highlights Screening and Talkback; and 10/26: An Evening with Tituss Burgess

Patti LuPone

Birdland Jazz: 315 West 44 St. Every Monday Jim Caruso’s Cast party; Every Monday and Tuesday: Vince Giordano leads The Nighthawks; Every Sunday Gabrielle Stravelli Trio;  10/5: Amanda Green and Fantastic Friends; 10/12: Julie Halston and Jackie Hoffman Live Stream: 10/16 – 18: Carole J. Bufford; 10/19: Julie Benko Goes To The Movies and 10/26: Phillip Officer Sings Mabel Mercer Broadway Portfolio.

Julie Halston and Jackie Hoffman

 

Carnegie Hall: 881 7th Ave at 57th St. 10/5: Celebration of Rodgers and Hart; 10/18: Falsettos 10 Year Anniversary Concert and 10/23: The New York Pops 007: James Bond Forever

Chelsea Table & Stage: Hilton Fashion District Hotel, 152 W 26th St. 10/26: All the Things You Are: Love, Laughter, and Music of Jerome Kern.

.Dizzys Club Coca Cola: Frederick P. Rose Hall, Broadway at 60th Street. 10/2: Catherine Russell and Friends with Special Guest; 10/4: Songbook Sundays: Kander & Ebb with Karen Ziemba; 10/13: “Once In a Blue Moon” – A Tribute to Mabel Mercer presented by The Mabel Mercer Foundation; 10/14: “Sammy: All the Way & Then Some!” – The Songs of Sammy Davis, Jr.   presented by the Mabel Mercer Foundation and 10/15: “With a Song in My Heart” – A Cornucopia of Entertainment presented by The Mabel Mercer Foundation

Karen Ziemba

Don’t Tell Mama: 343 W. 46 St. 10/10 and 25: Lucille Carr-Kaffashan: Breathe;  10/27: Steven Carl McCasland: Everybody Rise! and 10/29 Tanya Moberly: Repertoire With Mark Janas

Laurie Beechman Theatre: at the West Bank Café: 407 West 42 St. 10/ 5 -6: Jackie Hoffman; 10/9: Lorna Luft; 10/10: Andrea McArdle’s Broadway On Demand; 10/15: Lauren Marcus; 10/16: Lillias White Live At The Beechman and 10/30 -31: The Joe Iconis Haunted Halloween Special

Madame George: 45 West 45th: Broadway Night Mondays.

The Café Carlyle: 35 East 76 St. at Madison Ave.  9/29 – 10/3: Ariana DeBose; 10/20 -24: Patty Smyth at Café Carlyle and 27 – 29: St. Vincent at Café Carlyle.

 

The Cutting Room: 44 East 32nd St.

The DJango: 2 Avenue of the Americas. 10/16: Jason Tiemann Quinetet and 10/24 Lee Taylor.

The Green Room 42: 570 Tenth Ave 4th Floor inside Yotel Hotel. 10/13 and 27: The Lineup With Susie Mosher.

The Iridium: 1650 Broadway. 8/29: Papa Chubby

The Pierre Hotel, Two E Bar & Lounge: 2 E 61st St.

The Pocket:130 West 36th St. Every Monday mingus big band; Every Tuesday arturo o’farrill & the afro latin jazz orchestra

Sony Hall: 235 W 46th St. 10/11: Morgan James

The Triad: 158 W. 72 St. Street.

The Town Hall: 123 W. 43 St. 10/30: The Rocky Horror Picture Show: Original Cast Spooktacular Tour

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Celebrity

The Glorious Corner

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G.H. Harding

ONE MORE PHIL? — I am and always have been a fan of Phil Collins. His run of seemingly endless hits in the 80s was unprecedented and you know what, most of those songs were just sensational. Give his 1984 smash “Take A Look At Me Now” from Taylor Hackford’s Against All Odds another listen:

I loved Genesis too and when Gabriel left and replaced by Collins, it was almost seamless.
I worked at Atlantic Records during his run and came into contact with him many times, usually with his manager Tony Smith. He was always fun and I even toured with him during a Genesis tour and it was great.
It was when their Seconds Out album was out and I got to witness first-hand at least a dozen Genesis shows. Work? No, great fun and stunning shows.
Collins has had his share of health issues – in fact, on the final Genesis tour, he performed sitting down throughout the show. That said, a new interview from Louder with Phil makes it sound like Phil is finally in a good place health wise and new music might be forthcoming.
SHORT TAKES — Netflix has announced a second season of their Beast In Me. I loved it and certainly Matthew Rhy’s recent double Emmy-win had something to do with it. He was paired with Claire Danes … PR-pasha David Salidor at Din in Brooklyn Heights … I remember telling a fairly well-known artist, once you hit top the there’s only one way to go.

Taylor Swift/ Showgirl

I just read the first-ever negative review of Taylor Swift’s from her newly remixed Showgirl opus. Has the backlash begun? Take a read:

Star Trek: Brave New Worlds

… Star Trek’s Brave New Worlds ended their Season 4 with an episode titled “Tomorrow’s Enterprise” that involved time-travel episode and foretold what becomes of the crew in the future There’s a five-show Season 5 coming, but this episode was full of much hard-to-follow intel, plus the resolution of a space-baby (yes, i did say that). There were 2 different Uhura’s and much complicated information to follow. The show’s Season 4 was good, but despite the puppet-episode and a trip back in time, not all that special. One pundit commented that this episode could easily have been a show-finale and they’re definitely right. As I’ve said before, Anson Mount’s role of Captain Christopher Pike has been severely trimmed down, which has been a shame. On a scale of 1-10, I’d give this Season a 6 …

U2

there’s a new U2 single (“Silencio”) for the band celebrating 50 years with all the original members still present. Impressive. And their first full album in 9 years is coming. And, in the video I see Bono has his cowboy hat back. Take a look: https://www.youtube.com/watch?v=1mCN-RDh0-0&list=RD1mCN-RDh0-0&start_radio=1

 … (Via Forgotten Hits) Ella Langley’s “Choosin’ Texas” just notched its 23rd week at #1 on Billboard’s Hot 100 Pop Singles Chart,  The new record will be short-lived, however, as it’s pretty much a given that Mariah Carey’s “All I Want For Christmas Is You” will return to the top spot in a couple of months once the holiday music season begins. And whereas Langley’s hit will eventually “top out,” Carey’s tune will likely return to the chart each Christmas for many, many years to come … meaning she will regain (and retain) Billboard’s record for most weeks at #1 … and then just continue to add to that tally as time goes on.  Still, it was fun to witness as it happened.  (And that’s not to say that Langley might not extend her reign at the top for another week or two either!)  Damn!  It’s like watching Sammy Sosa and Mark McGuire all over again! …
Race said on social media: “Sometimes you’re not quite ready to turn the page when a chapter comes to an end, but here we are. They say it takes a year for you to fall in love with NYC, but once it happens, you never let go. So very true. If you missed it, this is the announcement from this morning. We’ve been through so much together. I hope in the weeks ahead a new opportunity presents itself, but until then… thank you for listening” Believe me, he’ll b back in a flash … Regular readers know Todd Rundgren has always been a huge fave. A new interview in New York Magazine’s Vulture section is positively riveting. Cheech it out here: https://www.vulture.com/article/todd-rundgren-has-seen-everything.html … Happy Bday Melissa Davis and Bob Grossweiner.
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Art

Events and Happenings For October

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October may be New York’s most theatrical month, and not merely because Halloween gets the finale. The city moves from Icelandic food and music to Comic Con cosplay, from architectural treasures normally hidden behind locked doors to four days of serious eating at the Seaport. Add film, culture, Diwali, pumpkins and one gloriously eccentric parade up Sixth Avenue, and October gives New Yorkers something increasingly rare: an excuse to stop rushing from one place to another and actually enjoy the city.

Until 10/12: The 64th New York Film Festival October begins with one of New York’s essential cultural events already in full swing. The 64th New York Film Festival, presented by Film at Lincoln Center in partnership with Rolex, runs through October 12 with 34 films in its Main Slate alone, representing 31 countries. Among this year’s major premieres are Ava DuVernay’s 14th, Luca Guadagnino’s Artificial, Tony Gilroy’s Behemoth! and Mani Haghighi’s I Deserve a Lover Whose Every Rise Sets Fiery Dooms Raging Across the Skies. The festival also expands beyond Lincoln Center October 2–9 with screenings at BAM, the Museum of the Moving Image, Alamo Drafthouse Staten Island and AMC Bay Plaza in the Bronx.

10/1–10/3: Taste of Iceland Iceland lands in New York for three days of food, music, film, literature, wellness and some wonderfully unexpected programming. Taste of Iceland opens October 1 with an Icelandic Feast at Platform by the James Beard Foundation at Pier 57 and a free Iceland Airwaves concert downtown. October 2 brings everything from a discussion about Iceland’s communal bathing culture to cocktails and music, while October 3 includes photography, film, a Northern Lights experience and Icelandic comedy. Most events are free, although reservations are required for many programs.

10/2–10/4: We Belong Here: Central Park Electronic music takes over Wollman Rink when We Belong Here returns to Central Park for three days. Friday brings MEDUZA³ and LP Giobbi; Saturday features Ben Böhmer and Stephan Bodzin live; and Sunday closes with Steve Angello, Bob Moses and Tripolism. The setting is half the point: electronic music, sunset and the Manhattan skyline wrapped around Wollman Rink.

Throughout October: Boo at the Zoo Boo at the Zoo transforms weekends at the Bronx Zoo through November 1, with an additional Monday celebration on October 12. Unlike New York’s increasingly adult Halloween universe, this one is deliberately daytime and family-friendly, combining costumes and seasonal activities with the rather unbeatable advantage of having an actual zoo as the backdrop. Activities are included with zoo admission.

10/3: The Little Red Lighthouse Festival One of Manhattan’s sweetest oddities gets its own celebration when the Little Red Lighthouse Festival returns to Fort Washington Park from noon to 4 p.m. Manhattan’s only remaining lighthouse takes center stage for a free afternoon organized with NYC Parks and the Urban Park Rangers. If you’ve spent years living in New York without ever making the pilgrimage underneath the George Washington Bridge, this is a charming excuse.

10/3–10/4: CultureCon 2026 The creative world heads to Brooklyn Navy Yard’s Duggal Greenhouse for CultureCon, a two-day gathering built around Black creativity, entrepreneurship and culture. More than 10,000 attendees are expected for workshops, speakers, networking, career development and immersive activations, with 2026 built around the theme “Museum of Us.” This is considerably more than another industry conference—it has become a gathering place for the next generation of people shaping media, fashion, entertainment, advertising and culture.

10/4: Randall’s Island Harvest Festival For something decidedly more old-fashioned, Randall’s Island turns autumnal from noon to 3 p.m. with a pumpkin patch, seasonal cooking demonstrations, live performances, face painting and nature activities. It is free, family-friendly and one of those events that makes it possible to pretend, briefly, that Manhattan isn’t sitting immediately across the water.

Comic Con

Comic Con

10/8–10/11: New York Comic Con New York Comic Con celebrates its 20th anniversary at the Javits Center, and by now it is less a convention than an annual pop-culture invasion. Comics remain at its heart, but television, movies, anime, gaming, collectibles, celebrity appearances and extraordinary cosplay have turned NYCC into one of the city’s great people-watching weekends. The 2026 lineup includes Nicolas Cage, Marvel Television and Animation, DC’s Jim Lee, ONE PIECE, Blumhouse and the Crown Championships of Cosplay. Friday, Saturday, four-day and VIP passes are already sold out, with limited Thursday and Sunday tickets remaining as of September 26.

10/10 – 10/31: Oktoberfest NYC  No passport to Munich required. Oktoberfest continues throughout October at Watermark at Pier 15, with German beer, giant pretzels, brats, live music and East River skyline views. The waterfront celebration actually began September 10 and continues through Halloween, making this less a single event than an autumn-long excuse to raise a stein beneath the Brooklyn Bridge.

10/9–10/10: Law & Order “Dun Dun Diner” Dun dun. NBC’s wonderfully silly—and wonderfully New York—*Law & Order* “Dun Dun Diner” returns to Rockefeller Center for two days, taking over Bill’s Bar & Burger from 11 a.m. to 9 p.m. Expect themed dishes from Ess-a-Bagel, Katz’s Delicatessen, Magnolia Bakery and Serendipity3, along with merchandise and photo opportunities inspired by the seemingly immortal television franchise.

10/10 & 10/24: Operation Slumber at the Intrepid Museum Here’s one for people who have ever wondered what happens aboard the Intrepid after everybody goes home. Operation Slumber lets children ages 5–17 and their families or groups spend the night aboard the legendary aircraft carrier, with nighttime access to the ship and Space Shuttle Pavilion, a flashlight tour of the Flight Deck and other activities before sleeping among the aircraft. October has two overnights—October 10 and a special Halloween-themed edition October 24.

Columbus Day Parade10/12: Columbus Day Parade Fifth Avenue once again becomes the center of New York’s Italian-American community for the annual Columbus Day Parade. The October 12 holiday also closes NYC public schools and suspends alternate-side parking. Whatever one’s view of the historical debate surrounding Columbus—and that debate certainly isn’t disappearing—the parade itself remains one of the city’s longstanding celebrations of Italian-American heritage.

10/15–10/18: New York City Wine & Food Festival Come hungry. The Food Network New York City Wine & Food Festival returns for its 19th year with more than 50 events and hundreds of chefs, culinary personalities, winemakers and mixologists. The Seaport is again its home base, but the Rooftop at Pier 17 becomes an even bigger part of the party this year. Rachael Ray and Bert Kreischer host the Burger Bash; Bryan and Michael Voltaggio take on Steak & Whiskey; Kwame Onwuachi hosts New York After Dark; Andrew Zimmern presides over Oyster Bash; and The Cookout brings together JJ Johnson, Angela Yee, Whoopi Goldberg and Method Man. There are also intimate dinners, brunches, tastings, demonstrations and FoodieCon.

10/15: Open House New York Launch Party Before New Yorkers start opening locked doors all over town, Open House New York throws its official launch party at one of the most deliciously New York locations imaginable: the Woolworth Building. From 6 to 9 p.m., guests head to the 26th floor for skyline views and an up-close encounter with the landmark’s famously elaborate terra-cotta façade—including its gargoyles. Proceeds support the weekend’s public programming.

10/16–10/18: Open House New York Weekend This remains one of the smartest events New York produces. For three days, Open House New York Weekend unlocks more than 300 locations across all five boroughs, allowing the public inside buildings, infrastructure, workshops, collections and spaces we ordinarily walk past without ever seeing. Skyscrapers, manufacturing sites, cultural spaces, parks and pieces of the machinery that actually make New York function are all part of it. Many locations are free and drop-in; others require advance tickets. For anyone genuinely curious about this city, put this one on the calendar.

10/24: Diwali at Times Square Times Square becomes considerably more colorful when Diwali at Times Square returns October 24. The Festival of Lights celebration takes over Broadway between 46th and 48th Streets, bringing Indian culture into the center of Midtown with music, dance, food and celebration. What began as a cultural event has grown into one of the most visible public Diwali celebrations in the United States.

10/28: BID 2026: Peace, Love & City Harvest This is the glamorous one. City Harvest’s BID 2026: Peace, Love & City Harvest takes over The Glasshouse at 660 12th Avenue for a mod-inspired evening channeling the glamour and groove of the 1960s. Nearly 50 New York chefs, restaurants and mixologists join live entertainment and live and silent auctions, with City Harvest hoping the evening will raise enough to help feed four million New Yorkers. Premium tasting begins at 6 p.m.; general admission begins at 7s.

The big Village Halloween Parade10/31: The Village Halloween Parade Then New York completely loses its mind—in the best possible way. New York City’s Village Halloween Paradecelebrates its 53rd year on Saturday, October 31 at 7 p.m., marching up Sixth Avenue from Canal Street to 15th Street. The 2026 theme is “Body & Soul,” and the parade promises hundreds of giant puppets, more than 50 bands, dancers, artists and thousands of New Yorkers who have spent far too much time constructing costumes—and God bless them for it. Watching is free; anyone who wants to march must be in costume, with lineup beginning at 6:30 p.m. This is not simply a Halloween attraction. It is one of the last great pieces of participatory New York street theatre.

October begins with Iceland, ends with several thousand costumed New Yorkers marching through Greenwich Village, and somehow manages to squeeze food, architecture, superheroes, culture, pumpkins and the Festival of Lights in between. In other words, it is New York behaving exactly as New York should.

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